自信满满的男人正在撰写他的发言稿，他不时将想到的灵词妙句念给妻子听，妻子则心不在焉地鼓鼓掌，敷衍了事。夜深人静，妻子已经睡下，而我们的演说家仍对着镜子苦苦练习每一句话、每一个手势。他甚至幻想第二天的演讲将取得怎样轰动的效果，听众们全部按他的意愿喜怒哀乐。一想到这些，就令他兴奋和骄傲不已。 　　第二天，演讲如期举行，演说家在台上滔滔不绝。观众们起初还认真听讲，但晦涩难懂的语句逐渐让他们失去了耐心，私下里开始干着各自的事情……

Critical Role is a weekly actual play series that uses tabletop role-playing game mechanics as a means to explore and develop stories from the vast fantasy worlds of Exandria, Aramán, and beyond, with sweeping narratives intricately woven through collaboration between Game Masters and players.

A happily married couple embarks on a journey in an effort to overcome a tragic loss—and rekindles their love for each other.

A police officer pursuing a teenage suspect onto a busy train platform, knocks a bystander onto the train tracks, critically injuring them. As an intense investigation commences, the lives of the pursued and the pursuer are thrown into turmoil.

Get a backstage pass to each Critical Role episode! You’ll be right there at the table immediately after the Game Master says, “Is it Thursday yet?” experiencing the cast's post-show reactions.

All the twists and turns of an episode of Critical Role in half the time! In Critical Role Abridged, the rich tapestry of a Critical Role campaign is lovingly distilled to its most pivotal, hilarious, and poignant moments in about 60-90 minutes per episode.

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

Pride Critical Countdown 2005 was a mixed martial arts event held by the Pride Fighting Championships. This event held the second round of the Pride Middleweight tournament. It took place at the Saitama Super Arena in Saitama, Japan, on June 26th, 2005.

Pride Critical Countdown 2 was a mixed martial arts event held by Pride Fighting Championships. The event held the second round of the Heavyweight tournament. It took place on June 20th, 2004, at the Saitama Super Arena in Saitama, Japan.

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)